Famous on the age of 20 for his drawings and corrosive paintings towards the present, Jean-Michel Basquiat (1960-1988) upset the New York artwork scene within the early eighties. He owes his international fame to extremely expressive works that handle subjects comparable to racism, politics or social hypocrisy. Although his profession was abruptly interrupted by his premature dying at the age of 27, his work continues to exert super affect. Revealed by Hatje Cantz Publishing in collaboration with the modern art gallery Nahmad Contemporary (New York), Jean-Michel Basquiat – Xerox gives an in-depth analysis of the extraordinary body of work that the artist created utilizing Xerox photocopies as the primary medium and focus of the composition.
These immersive paintings glued from Xerox embody the extraordinary instinct of Basquiat when it comes to visible language. Their uncooked and integral compositions incorporate recycled and reworked indicators and inscriptions from the artist’s on a regular basis experiences, together with motifs from his earlier works. The intricate tangle of content in this collection foreshadows the copy-and-paste sampling characteristic of the next Internet and post-Internet generations, positioning Basquiat as a pioneer of the pre-digital period. The 216-page guide, with essays by Eric Robertson and Christopher D. Stackhouse,online store of Hatje Cantz editions, as well as on Amazon.com .